Random DVD Round-Up 2 - CLASH OF THE TITANS

I would imagine that you have to try pretty hard to take material that is literally mythic, and a stellar cast, and produce a movie as plodding, hokey and unconvincing as CLASH OF THE TITANS. Director Louis Leterrier (THE INCREDIBLE HULK, THE TRANSPORTER) delivers a flick in which the CGI looks shittier than Harryhausen stop-motion and every single actor looks as automated as the Kraken. Leterrier has supermodels cast as Greek godesses and the not unattractive Mads Mikkelsen swinging a sword. He has Liam Neeson cast as Zeus; Ralph Fiennes cast as Hades and throws bit parts away on actors with the heft of Pete Postlethwaite. Most of all, he has a story filled with characters that have captivated audiences since thousands of years before Christ was born. And with all this, he creates a quivering mess. Shame, shame, shame.

This is, I suspect, what happens when you have a big budget, big actors and a lot of CGI. There's a sort of spreadsheet calculation that the movie simply can't fail. And yet, and yet, where is the directorial vision to cut through the large cast of characters and shape the underlying story? Where is the unique style of an epic like 300? Where is the producer to pull up the director and tell him that the eighty foot scorpion-Kraken is laughable?

Long story short, this movie sucks. But for the sake of form (and I can't believe I'm doing this because didn't we all learn this in school?) here's the plot summary. Zeus, chief God on Mount Olympus is pissed off because the people of Argos have become so arrogant that they refuse to worship him. In a fit of pique he allows his brother Hades to terrify the Argosians by unleashing a big beastie called the Krakan. Hades tells Zeus that this will cause the men to love him again and beg for his help; really Hades just wants to cause panic and seize power himself. So, back in Argos, the King's daughter Andromeda is to be sacrificed to the Kraken unless the demi-god Perseus (Sam Worthington - Aussie accent comical) can kill the Kraken first. He does this by cutting off the snake-addled head of Medusa (Natalia Vodianova) and using it is as a weapon. All this while Perseus has to come to terms with the fact that daddy was a god who forced himself upon mummy and then had his family killed. Perseus defeats the Kraken with the help of some buff Argossians (Mads Mikkelsen) and a hot chick who doesn't age (Gemma Arterton). And in an ending that defies legend with typical Hollywood producer arrogance, Perseus and Io have a nice romantic ending despite the fact she is pace legend basically his great grand-mother to the power of n.

Additional tags: Alexa Davalos, Elizabeth McGovern, Luke Treadaway, Travis Beacham, Phil Hay, Matt Manfredi, Beverley Cross, Agyness Deyn, Natalia Vodianova, Ramin Djawadi, Peter Mezies Jr

CLASH OF THE TITANS was released in April 2010 and is available on DVD and on iTunes.

DAYBREAKERS - Don't you want to get out of Cape Cod?

I really enjoyed DAYBREAKERS - the new vampire sci-fi flick from Aussie directors, Michael and Peter Spierig. The concept is clever, logically explored, the production design is imaginative and slick, and there's some genuinely cool gory special effects. I am shocked at just what a good job they did with such a low budget, and I can't wait to see what they do next.

So, down to the details. The concept is cool. In the near future, vampires have turned so many people that humans, and more importantly, the human blood that vampires crave, is a rare commodity. The remaining humans are hunted down and farmed for their blood by Sam Neill's powerful corporation, while the vampires desperately try to create a synthetic blood. Rations are cut, causing riots. Rich vamps are supplied - the poor become homeless, begging for a drop - and when they get nothing degenerate into feral, bat-like "subsiders". And then, the society that turned on humans, turns on itself. Set against the vampire majority are a group of human rebels and their vampire helpers, led by haematologist with a heart of gold, Ethan Hawke. Crazy ass former vamp Willem Defoe thinks he's found a cure for vampirism, which will solve the food crisis for good.....

I love the way the details of the hypothesis are worked out. I love the design of the houses, cars, and offices that allow a vampire population to live "normal" lives by night. I love the way in which all the shitty things in real life transfer and invert to the new world - like the fact that class distinctions still apply. I also love the casting of Ethan Hawke as the sympathetic vamp - ever since DEAD POETS SOCIETY he's been portraying ordinary schmos navigating through crazy events - and being utterly sympathetic all the while.

My only issue with DAYBREAKERS is a logical loophole. In a society that can farm humans for blood, why would they not also farm human ovaries and create test tube babies who could grow into a perpetual food supply? But really, I'm just being pernickety. DAYBREAKERS is a great-looking low-budget sci-fi vamp flick. It gets how to do gore. It gets how to do scares. And it gets how not to over-complicate a good thing.

DAYBREAKERS played Toronto 2009 and is currently on release in the UK, Canada, Poland, Russia and the USA. It opens on the 14th January in Singapore, Slovenia and Estonia. It opens on January 21st in Australia, Bulgaria, Denmark, Finland and Sweden, It opens on January 28th in Argentina, the Netherlands and Thailand. It opens on February 5th in Norway; on March 17th in France; on March 19th in Italy and on April 15th in New Zealand.

HARRY BROWN - the only permissable bigotry

These days you can't hate people on the grounds of their race, sexual orientation, religion or political views. The only permissable form of bigotry in the UK is the hatred of the white working class, and in particular, white working class kids. The right-wing middle-class media make a living from depicting chav kids as feral, dope-addled, knife-wielding granny botherers and social menaces. English society is in decay! Suburbia is lawless! And it's all because a bunch of uneducated kids have taken to drinking cans of Super-tenants outside Burger King at 11 at night while wearing fake Burberry caps, and driving modified Novas. It says a lot about how insecure post-modern, recession-bound Britain is that the only new cinema we seem to be capable of producing is either lauding the "glory" days of 1980s soccer hooliganism (punching people IS our proud heritage) or decrying working class violence. Whether the films are glorifying or condemning chav-violence, they are still making the lethal assumption that this is the way life is. And you think to yourself, does Mike Leigh work in vain?

HARRY BROWN is a good film. It's technically well-made, visually impressive, suspenseful, and features a great central performance from Michael Caine as a pensioner who turns violent on the teenage drug-pushers terrorising his estate. There's a satisfyingly slow-build to a pretty convincing revenge thriller. Caine has some nice Tarantino-style one-liners while dispatching a dope-peddler. There's even some astute critiquing of how the police are riven by spin and politicking. Emily Mortimer gives a nuanced performance and Iain Glenn is absolutely menacing. There's no denying it - this is a good film. I would have really loved it had I not been continually wary of the fact that I was watching a sort of middle-class angst-porn, designed to push all my buttons as a tax-paying constructive member of society meant to be living in fear of being knifed on the Central Line.

I don't buy the Daily Mail and I'm not buying this. I don't care how nice the packaging and how gritty the performances.

HARRY BROWN played Toronto 2009 and is on release in the UK. It opens in the Netherlands on February 25th 2010.