21 JUMP STREET

21 JUMP STREET is a bunch of fun whether or not you're familiar with the original 1980s TV show that it affectionately spoofs.  Judd Apatow regular Jonah Hill slims down to play Schmidt, a former high-school geek turned cop, who's sent back to school under-cover to undercover a drug dealer.  Schmidt teams up with former high-school jock, Jenko, played by the not unattractive Channing Tatum showing impressive comedy timing.  A lot of the comedy comes from the classic "fish out of water" trope, with Jenko now forced to hang out with the science geeks and Schmidty becoming the popular guy in a post-modern high school full of enviro-geeks.  The true joy for this capitalist bastard reviewer is that it's the hippie do-gooders that are really the skanky drug-dealers.  And Dave Franco (James' kid brother) does a great job playing the smug little shit who's dealing dope. There's also probably the best movie cameo since ZOMBIELAND. 

Goofy, buddy comedies like these, when they work well, can seem effortless.  But there's a lot of skill in scripting a story that pokes fun at its source material without ever descending into snide pastiche; that knowingly winks at the viewer but still has heart.  Moreover, there's something wonderful about seeing a comedy double-act really hit it off on screen. Tatum and Hill just work really well together, and I can't wait for the sequel. 

21 JUMP STREET is on release in the US, UK, Australia, Bulgaria, Canada, Estonia, Ireland, Lithuania, Romania, Israel, Russia and New Zealand. It opens in Sweden on April 20th; in Chile and India on April 26th; in Argentina, Hong Kong, Hungary and Brazil on May 4th; in Germany, Singapore and Spain on May 10th; in Slovenia and Colombia on May 18th; in Norway on May 15th; in Belgium, France and the Netherlands on June 20th and in Portugal on June 28th.

THE EAGLE - Job. Done.

I really enjoyed THE EAGLE. I loved it in the same way that I love commanding my Roman cohort to form the Testudo against a bunch of screaming German women and wolf-skin wearing savages in Rome Total War. It's a guilty pleasure that works for anyone who ever loved sword-and-sandal epics  or was forced to do a lot of class-civ. as a kid. And let's be honest, "the ninth legion" is a phrase that, for people educated in a certain time and place*, resonates strongly. Raised by Pompey to fight in Spain, the Legio Nona Hispana were definitely massacred by Boudica's Iceni in AD 60's Roman Britain, and were rumoured to have vanished north of Hadrian's Wall in AD 120, but may well have been finally defeated by the Teutons....Whatever happened, they represent the inability of Mighty Rome to hold off the Native Horde - a story that resonates today as we see the superior forces of our modern superpower struggling to fight scrappy insurgents in the Middle East. And this is the parallel that Scottish director Andrew MacDonald and screenwriter Jeremy Brock (THE LAST KING OF SCOTLAND) bring to this adaptation of Rosemary Sutcliff's popular children's historical adventure, "The Eagle of the Ninth", by giving the Romans American accents and by confronting them with the motives of the "insurgents".

As in the novel, the story is simple and compelling. Young Marcus Flavius Aquila (Channing Tatum) is the son of the disgraced Roman general whose legion was massacred by the northern British tribes. Worse still, those tribes captured the legion's Eagle - its symbol of authority and good fortune. Desperate to restore his family's honour, Aquila deliberately seeks a posting to Hadrian's Wall, and when injured defending his men, he journeys north of the border to find the Eagle without the sanction of Rome. We have, then, the Stakes. But the heart of the novel and the film is the relationship between Aquila and his slave-then-friend, Esca (Jamie Bell). Aquila's emotional arc takes him from viewing the Celts as savage insurgents of little honour and less integrity, to brave fighters defending their homeland against Rome's rape and pillage. The Seal People may do savage things - not least their "crown prince" as played by Tahar Rahim (UN PROPHET) but in death, when the war paint washes off, he is just a young man defending his tribe. So, by the end of his journey, while Aquila is still convinced of the idea of Rome, he can cock a snook at the Senate, and take the lead of a Freed Man (a ham-fisted scene admittedly.)

The resulting film is really well put together. Andrew MacDonald gives us all those little details of life in a Roman outpost that made the novel feel real and alive - we feel the armour chafe, we feel the adrenaline inside the Testudo, we hear the crowd cheer the gladiator. I loved Anthony Dod Mantle's photography - beautifully capturing the Scottish rural landscape and the fog of battle. This isn't Rome as glossy and glorious, but life in the trenches against an enemy that hates you. I was impressed by Channing Tatum as Aquila. He was convincing as the young soldier from the patrician family - born to lead - but also as the demoralised and depressed decommissioned soldier. He had genuine chemistry with Jamie Bell as Esca, and the way in which their understanding of each other develops is the back-bone of the film. Of course, Bell is the better actor, but the pairing didn't feel as imbalanced as I feared it might.

Is the film perfect? Of course not. As I said before, the final scene seemed a little cheesy. (Englishman) Mark Strong's American accent was so broad as to be distracting. We lost some emotional punch in the reduction of Cradoc (the guy on the chariot with knives sticking out of the axle) from a guide-turned-traitor to a generic screaming savage. And by axing Cottia (the love interest in the novel) but refusing to amp up the homo-erotic aspects of the story, MacDonald leaves the relationship between Aquila and Esca annoyingly ambiguous. Still, for all that, I have to say that I thoroughly enjoyed THE EAGLE. It was beautifully put together, solidly acted, and gave me a real feel for AD 100s Roman Britain. Job. Done.

THE EAGLE was released in February in Kazakhstan, Russia, Canada, the USA; Bulgaria, Finland, Romania, Indonesia and Armenia. It was released in March in Germany, the Netherlands, Poland, the Philippines, Greece, Kuwait, Egypt, Denmark, Hungary, Malaysia, the UK, Portugal and Singapore. It was released last week in Lithuania and Spain. It opens on April 18th in Estonia and Norway; on April 28th in Croatia and on May 13th in Turkey. THE EAGLE is released on Region 1 DVD on June 21st. 

*And if you think I'm taking this too far, we learned Latin before we learned French; our school magazine was called Aquila (Eagle!), the debating society was the Quintilian Society; the school moto was Alta Petens....To say that I was conditioned as a child to be fascinated by Rome is an under-statement.

Random DVD Round Up - FIGHTING

Far be it for to criticise a movie in which the not unattractive Channing Tatum spends time bare-knuckle boxing, but FIGHTING really is a complete waste of time. It plays as a pastiche of every boxing movie you've ever scene. Debut director, often-time writer Dito Montiel (A GUIDE TO RECOGNISING YOUR SAINTS) tries to give his movie an air of authenticity and street-smarts with the seventies score and slang and a portrayal of corruption and underground power. But he fouls it all up with his sub KARATE KID plotting and phoned-in performance from Tatum, Howard and pretty much everything else. Worst of all, for a movie called FIGHTING, the fight scenes are brief and unimaginatively filmed. For all its affectations of grittiness, this film is basically just a schlocky romance whose plot gives Channing Tatum a chance to take his shirt off. To that extent, I almost prefer the more straightforward macho bullshit of NEVER BACK DOWN.

FIGHTING was released in spring 2009 and is available on DVD.

G. I. JOE: THE RISE OF COBRA - cinematic TVR

The British, god bless us, do many things well, but building sports cars isn't one of them. We used to build a car called the TVR - a car so uncool it's name was a shortened version of "Trevor" - a car so insane it put a v8 engine inside a light-weight chassis - a car so loud and shouty that Jeremy Clarkson famously said of it, "it will kill you". Further, "my wife loves this car. She loves the noise and the vibrations and the sense of danger and the way that when you over-rev it, the whole dash lights up like a baboon's backside. Richard Hammond on the other hand, he pretty much hates it. He says its too difficult and too complicated and that all the stitching in here looks like the kind of stitching you find when someone's tried to mend their own shoes."

I feel the same way about G I JOE: THE RISE OF COBRA. Your teenage kid brother might like it, but what does he know, eh?

G I JOE: THE RISE OF COBRA isn't so bad, it's good. It's so bad, period. Much like the TRANSFORMERS flicks, similarly spawned from shitty kids toys, the movie is heavy on ludicrous CGI special effects and loud-shouty battle scenes. In the brief spaces when the fighting stops, there's a lot of rather convoluted plot crammed in. Essentially, there are bunch of baddie arms dealers who've created nano-bot super-soldiers. On the other side, there are a bunch of tooled up soldiers who are trying to stop them. In the middle, there's a chick who used to be in love with the good guy but who is know kicking ass for the baddies. But hey, apparently even a woman scorned can't resist beefcake Channing Tatum.

The resulting movie is just no fun. It's actually pretty boring being brutalised by non-stop loud battle scenes. All of which is a crying shame, because idiotic, puerile premise apart, this movie has pedigree. The DP is Mitchell Amundsen, of MISSION IMPOSSIBLE III, BOURNE SUPREMACY, and PIRATES OF THE CARIBBEAN fame. The script was written by Stuart Sommers, who wrote the far funnier MUMMY movies. Not to mention the fact that you have people who can actually act - Joseph Gordon Levitt, Christopher Eccleston - in major roles. God knows why they went for this flick. Let's hope they, Tatum, Miller et al, have paid for their respective new houses and can now all get back to the indie flicks they're known for.

G.I. JOE: THE RISE OF COBRA is on global release.