iPad Round-Up 2 - THE CONSIPIRATOR

Yet another thumpingly pedestrian issues-film from Robert Redford.  The movie takes the form of an historic court-room drama, with James McAvoy playing the lawyer defending Robin Wright's Mary Surrat of conspiracy to murder President Lincoln (she was Booth's landlady and her son has mysteriously fled.)  This being a Redford film, the politics are naively simple and oppositional: McAvoy's lawyer is the champion of all things good - liberty, the constitution and the right to a fair trial even in the wake of an appalling political crime.  Kevin Kline's war minister represents the forces of evil:  putting ends before means, willing to sacrifice right to expediency, with a contemporary relevance in that Surrat was denied a civilian trial before her peers, and tried under military law. 

The issues are fascinating, the casting top notch, Newton Thomas Sigel's cinematography is superb, and the dilemmas at the movie's heart are clearly highly relevant today.  The problem is that it feels like a college debate rather than a movie.  Movies must entertain. If they educate and provoke as well, then all to the good. But no-one ever learned anything while their eyes were rolling to the back of their head in boredom.  Castigat ridendo mores. Moliere knew this. Redford apparently does not  He needs to treat his subject matter with a little less respect and his audiences with a little more.  

THE CONSPIRATOR played Toronto 2010 and opened in summer 2011 in the USA, Hong Kong, South Korea, Ireland, the UK, Portugal, Australia, Turkey, Kuwait and Germany. It opened last month in Singapore. It goes on release in Belgium on November 16th and in Spain on December 2nd. It is available to rent and own.

Preview - BOOGIE WOOGIE

BOOGIE WOOGIE is a highly enjoyable, acerbic satire on the contemporary art world, directed by debutant Duncan Ward and based on the novel by Danny Moynihan. Both are art-world insiders and the film has the feel of authentic anecdotes on speed.

The film has a large cast and many sub-plots, but these all coalesce around the gallery of Art Linson - a Jay Jopling like art-dealer who stands at the centre of the London art scene. Art is played in trademark oleaginous, sinister mode by Danny Huston, who needs to seriously worry about typecasting. Three main stories whir around Art. First, his main clients - art collectors Jean and Maclestone (Gillian Anderson and Stellan Skarsgard) are fucking a young artist and a gallery assistant (Amanda Seyfried) respectively, and are engaged in a bitter battle over who gets the art. Second, naive Dewey (Alan Cumming) is trying to promote his best friend, video artist Elaine (Jaime Winston) who ditches him for Art's assistant Beth (Heather Graham). Finally, ageing collector Alfred Rhinegold (Christopher Lee) is being manipulated by his wife (Joanna Lumley) and her butler (the ever brilliant Simon McBurney) to sell a valuable painting, at a price manipulated by art dealer Art Linson.

In short, the majority of characters are self-involved, sexually promiscuous, and care more about jockeying for money and fame than about art itself. Only a few - Alfred Rhinegold and Dewey - have a genuine passion for the work - and they basically get screwed over for their pains. It's not that the art world is indifferent to their pain, but that characters like Beth and Elaine will actually exploit it. After all, in the era of reality TV and constant self-exposure, pain is just another means to create a sensation.

The movie moves quickly; finely balances humour and disgust; assuredly handles its large cast; and is sharply photographed by John Mathieson (HANNIBAL, GLADIATOR). Art aficionados will appreciate the fact that the art was curated by Damien Hurst. I presume that when this finally gets released, it will be very limited. But this flick is definitely worth seeking out.

Additional tags: Joanna Lumley, Christopher Lee, Alan Cumming, Duncan Ward, Danny Moynihan.

BOOGIE WOOGIE played Edinburgh 2009 and will be released in the UK and US in April 2010. It is, rather improbably, currently being shown on British Airways long-haul flights.

EDGE OF DARKNESS - Curiously flat

EDGE OF DARKNESS is a curiously anemic political thriller starring Mel Gibson as a straightlaced cop whose daughter is assassinated by her employer - a shadowy military defense contractor. While the police are distracted with the idea that the killer was really after the cop, the father begins his own investigation that takes him into the upper reaches of government and business. The marketing campaign for this film led me to believe that the film would be akin to the recent Liam Neeson vehicle TAKEN - in which a vengeful father murdered and tortured his way through Paris. But I was pleasantly surprised to find that EDGE OF DARKNESS is a far quieter, more talkative film. Indeed, barring one or two scenes, it is hardly an action movie at all. Rather, the movie takes the form of a series of conversations. Mel Gibson is actually rather sympathetic and credible as the grieving father and his scenes opposite Ray Winstone, who plays a government fixer, are marvelous to watch. Winstone is more modulated than is typical, and keeps us guessing as to his true motives. But I was rather disappointed to see Danny Huston roll out the same oleaginous sinister performance as the corporate boss. I was also disappointed by the technical quality of the film, despite being shot by the team behind CASINO ROYALE, and by the complete lack of tension. Indeed, the film was so baggy that after an hour I was tempted to leave. The mechanics of the plot - the secret everyone is trying to hide - is very mono-dimensional and obvious. There is no real attempt to work out the ramifications of the secret either politically or in the media. Indeed, despite a rather impressive corporate HQ, the movie has a rather parochial air (all the more because only Gibson attempts a Boston accent.) This extends to one of the most flat and brushed aside endings to a thriller I've seen in a while. So, all in all, despite a rather sympathetic performance from Gibson, this is ultimately a rather frustrating film.

EDGE OF DARKNESS is on release in the UK, the US, Hong Kong, the Netherlands, Singapore, Brazil and Canada. It opens next weekend in Australia, Denmark, New Zealand, Finland and Sweden. It opens later in February in Belgium, Slovenia, France, the Czech Republic, Greece, Norway, Romania and South Korea. It opens on March 4th in Argentina and Germany; on March 12th in Taiwan and on April 2nd in Estonia.